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1. #Nebula 3 free vst serial number#
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Slider 8 is always Liqdt, for ‘Liquidity’, which changes the way the individual chunks of sound are mixed together to make the final audio stream. Some effect parameters, such as Rate, Wet, Dry, and compressor time constants are self–explanatory, and most have obvious calibrations such as dB, Hz, ms or percent, but others require a little more explanation. You can view all of them in one vast, alphabetically sorted list across switched pages, but mercifully they can also be organised into nine categories, comprising Preamps, Compressors, Equalisers, Filters, Tape, Mics, Amplifiers, TMV (TiMe Variant) and Reverbs.Īs soon as the preset finishes loading, any sliders that it uses will have parameter names above them, with any that remain unnamed doing nothing at all. The quickest way to get started is to click on the Fast menu option and choose one of the presets that then fill the central area of the main LCD.

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From left to right, you get input and output faders with peak-reading meters alongside, then the main LCD window with a status bar across the top and a menu bar across the bottom, plus context-sensitive info in between, and overflow and bypass LEDs beneath it, while the right-hand side contains the eight preset sliders, with a Mini LCD above them displaying their current function and value. It’s obvious from its ‘hardware rack sampler/synth with LCD menu window’ design what sort of gear inspires the team who created it.

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The Nebula 3 graphic interface is a vast improvement on that of the Nebula 2 Free version, with a more sophisticated look, and larger, clearer level meters with dB calibration and bigger fader caps.

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On installation, only a small number of presets are usable, but when you email your serial number to Acustica, they will return a unique Nebula3License.exe file that you run to unlock the rest. The entire library expands to almost 6GB and doesn’t have to be installed in your Windows partition if you’d rather keep it elsewhere. The first DVD contains the plug-in and a 1GB core of Programs and Vectors (Programs contain the engine instructions, while Vectors contain the kernels themselves), while the second DVD contains an additional 4GB of larger Programs and Vectors encompassing the longer reverbs.

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It was delivered to me on two DVDs, although you can download the whole thing if you prefer. Nebula 3 runs on Windows XP, 2000 and Vista, but not Windows 98. For instance, by mapping the input level of the signal to the position in the kernel array, you can reproduce level-dependent processes such as compression or distortion, while scrolling backwards and forwards through a kernel array using an LFO reproduces cyclic sounds such as chorusing and flanging. It processes lots of these kernels at once, and then, rather like a wavetable synth, can scroll through an array of slightly different waveforms to morph them, using a ‘vector engine’ controlled by LFOs, envelopes and so on. Nebula’s convolution technique is based on ‘Diagonal Volterra Kernels’ in effect, tiny instantaneous snapshots of real-world effects. Until now, non-linear convolution was only available on hardware products such as Focusrite’s Liquid Mix, while, to my knowledge, time-variant devices have never before been captured using this method. Not only can it capture the dynamics of non-linear devices such as compressors, but also ‘time-variant’ processors such as chorus, flangers and phasers.

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The free taster version of this plug-in, which I discussed in May 2007’s PC Notes, has created a lot of interest, since it seems to do what we were previously told was impossible. But when that plug-in arrives with a 6GB convolution library emulating several hundred items of vintage gear such as preamps, tape machines, compressors and chorus/flanging effects along with the more usual equalisers, filters and reverbs, you sit up and take notice. You might not expect a single multi–effect plug-in to warrant an in–depth SOS review.

Convolution technology has provided new levels of realism for plug-in reverb, but has been unable to capture non-linear or time-variant effects such as compression, tape saturation, distortion and flanging.